

only the natural notes on the recorder, with a few instances of F-sharp and B-flat. Download Audio Note - Voice Recorder and enjoy it on your iPhone, iPad, and iPod touch. These are just a few examples of the many variations you can do. Product Detail: Recorder Jazz Time in the Marketplace. To play the A/C# example, just form an open A chord using the "one finger" method with the 1st finger, and play the note on the 4th fret of the 5th string (C#) with the 3rd finger. It's simply a matter of employing your pinky finger to play the note on the 3rd fret of the 4th string, and using your 3rd finger to play the new note on the 3rd fret of the 5th string. Obviously you will need to re-work your fingering to perform this one. In the case of an F/C chord, it would look like this: Also, using the thumb, gently touch the 5th string (A) to mute it. Of course, the fingering could be a little tricky, so the easiest way to play this is to wrap your thumb around the top of the guitar neck to play the F#. It would look like this:Īs you can see, you would play an open D chord, and then add the F# note on the 2nd fret of the 6th string. To play a D/F#, you would start by playing a standard D chord, then add the F# note to the bottom.
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Playing these chords is fairly easy if you know how to play the chord listed on the left side of the "slash". You can verbalize the above chords as follows: In these "over" chords, the letter on the left side of the "slash" denotes the chord name - and the letter on the right side of the "slash" denotes the bass note name that is added to the chord. For example, you've probably noticed a D/F#, or a F/C, or A/C#, or something similar. They are typically notated with a "slash" (/). You may have seen "over" chords on music charts. Many times you will encounter an "over" chord.Īn "over" chord is simply a chord with the addition of an extra bass note that is unrelated to the root note. It could be that you are hearing a 7th chord, or major 7th chord, instead of the major chord. Have you ever heard a guitar chord played on a recording that sounded "almost" like a standard chord - but had some little twist to it that you couldn't quite figure out?
